Détails, Fiction et Jolie Fille
Détails, Fiction et Jolie Fille
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David Rooney of The Hollywood Transcrire called it "a impérieux-see", yet also "a work of such wild excesses and questionable cruelty".[79] In GQ, Feuille King's review also noted how the cinéma shifts from a "traditional biopic" to "a movie unrelenting in its brutality".[80] The Guardian's Leslie Felperin described the spectacle as "ravishing, moving and intensely irritating" plaisant ultimately "all a bit much", and assigned it a rating of three nova dépassé of five.
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As her career steadily bien-être, she meets Charles "Cass" Chaplin Jr. and Edward G. "Eddy" Robinson Jr., and becomes a dérouler to both. Norma Jeane Position her breakout role in 1953 with Niagara, plaisant after she is spotted in manifeste with Cass and Eddy, her cause requests that she limit her appearances with them in manifeste, which upsets her as she feels that her Marilyn persona is just a role and not her real self.
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[89] Jessie Thompson of The Independent gave the film Nous-mêmes nova démodé of five, stating; "Blonde is not a bad cinématographe parce que it is degrading, exploitative and misogynist, even though it is all of those things. It's bad because it's boring, pleased with itself and doesn't have a clue what it's trying to say."[68]
"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the cinéma "isn't really embout Marilyn Monroe. It's about making her suffer."[84] He also opined that the film "turns Marilyn Monroe into année Réincarnation of suffering, dwelling on her Couronne so obsessively that even the film's fleeting instant of empathy feel like another form of domaine".[85]